![]() ![]() Lady Antebellum, “What If I Never Get Over You” “Make Art Not Friends” starts with a nearly two-minute trippy instrumental before transitioning to a guitar-and-drum groove while everyone’s favorite country anti-establishmentarian looks “out the window at a world on fire.” He’s “tired of the lights,” and there’s only one solution: “Think I’m gonna just stay home/And make art, not friends.” Simpson might have shifted his sound on this one, but the curmudgeonly attitude remains. Sturgill Simpson told fans to expect something “sleazy,” “steamy” and “psychedelic” on his latest album, Sound & Fury, and while the 10-song LP is indeed a marked departure from his more country-leaning music, it’s also wry as ever. In a more just world, this would’ve been the song to get the late Lil Peep his first Hot 100 top 40 hit. As it toggles between vocals from all three, it’s impossible to tell where the verses stop and the chorus starts - it’s all hooks, really, a song where every part feels like That Part. Fall Out Boy, “I’ve Been Waiting”Īn unlikely combination of three very different alt-leaning acts, “I’ve Been Waiting” is far more seamless than it has any right to be, finding common ground in the artists’ shared pop sensibilities. It’s too early to tell if country rap’s moment will continue into the next decade, but “The Git Up” is a fine benchmark even if it doesn’t. But “The Git Up” isn’t just a song to dance to – it’s also hellishly catchy, and its fusion of slide guitar with hip-hop beats made it a song listeners with many different tastes could “git” down to. The dance challenge has been an integral part of pop music’s last decade and a half, but music needed a new bona fide line dance, and in the waning moments of the 2010s, Blanco Brown delivered.
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